• MATEO RUIZ GONZALEZ
  • Information
  • WORK
  • Chilluns' Croon (2021)
  • Caliza (2021 - OG)
  • Brooklyn, short series (2023 - OG)
  • Seguridad Privada (2023 - OG)
  • CURATORIAL
  • Autumn Poems, 2021
  • Fool's Paradise, 2020
WORK
Chilluns' Croon (2021)
Caliza (2021 - OG)
Brooklyn, short series (2023 - OG)
Seguridad Privada (2023 - OG)
CURATORIAL
Autumn Poems, 2021
Fool's Paradise, 2020
MATEO RUIZ GONZALEZ
Information


Chilluns’ Croon investigates themes of the past such as absence, remembrance, spirituality, and mortality of formerly enslaved people of Wilson County, North Carolina. An intimate portrait of an African American community, Chilluns’ Croon hums songs of hope, equality, and change for new generations.


After conducting a deep research of the Wilson County area and establishing a relationship with Lisa Y. Henderson, curator of the archive Black Wide-Awake; documents of genealogical and historical interest to researchers of Wilson County’s historical African American community, both photographer and historian worked on a selection of files to serve as inspiration for the imagery essay. 


Curated by Lisa Y. Henderson, the archive Black Wide-Awake includes a range of files, from photographs, family diaries, and plantation records to newspaper clippings of obituaries, town crimes, and social events, among others. The archive files date from the mid-1700s, times of slavery in the 1800s, segregation era in the 1900s, and documents of new local activists seeking to restore and preserve their African American legacy. 


Chilluns’ Croon incorporates old transcripts from the Federal Writers Project (FWP) featuring interviews with formerly enslaved African Americans. Together, the compilation of documents reveals old spiritual beliefs and stories of love and loss from the time of slavery in the United States. 



Prints with OD Gallery



Press: GUP, MPB, PHMuseum, Nowhere Diary, Conceptual Projects, Float Magazine, Yogurt Magazine, WÜL Magazine, Booooooom Magazine







Judge's chambers private




Tracy after work




Old sweatshops at Lodge St




Old plantation barn (second)




Temple of deliverance




John Howard (hands)




Corn fields




Family wall (garage museum)




East side houses




Angel Kiara Hooks




Odd Fellows cemetery (field)




Old plantation barn (first)




Watermelons (70th birthday backyard party)




Hotel Cherry (file of life)




Snake tale




Lewis Neil




Sundial (I stand among the flowers and dark days do not exist)




Hominy swamp





Chilluns’ Croon
Artist book, edition of 35 
Printed for Verzasca Foto Festival 2022


8.5x11”, 64 pages, Linen Natural soft cover, 24 four-color B&W and color plates on uncoated paper, open spine, hand-bound by the artist, 4x4.5” archival pigment print on Hahnemuhle Natural Line Bamboo paper situated into photo corners on front cover, insert pages risograph on recycled uncoated paper. 






Chilluns' Croon
Gallery tabloid, edition of 30
Printed for OD Gallery PHoto Prize 2022
London, UK


11x15", recycled newsprint, edition of 30, signed and numbered





Chilluns’ Croon investigates themes of the past such as absence, remembrance, spirituality, and mortality of formerly enslaved people of Wilson County, North Carolina. An intimate portrait of an African American community, Chilluns’ Croon hums songs of hope, equality, and change for new generations.


After conducting a deep research of the Wilson County area and establishing a relationship with Lisa Y. Henderson, curator of the archive Black Wide-Awake; documents of genealogical and historical interest to researchers of Wilson County’s historical African American community, both photographer and historian worked on a selection of files to serve as inspiration for the imagery essay. 


Curated by Lisa Y. Henderson, the archive Black Wide-Awake includes a range of files, from photographs, family diaries, and plantation records to newspaper clippings of obituaries, town crimes, and social events, among others. The archive files date from the mid-1700s, times of slavery in the 1800s, segregation era in the 1900s, and documents of new local activists seeking to restore and preserve their African American legacy. 


Chilluns’ Croon incorporates old transcripts from the Federal Writers Project (FWP) featuring interviews with formerly enslaved African Americans. Together, the compilation of documents reveals old spiritual beliefs and stories of love and loss from the time of slavery in the United States. 



Prints with OD Gallery



Press: GUP, MPB, PHMuseum, Nowhere Diary, Conceptual Projects, Float Magazine, Yogurt Magazine, WÜL Magazine, Booooooom Magazine







Judge's chambers private




Tracy after work




Old sweatshops at Lodge St




Old plantation barn (second)




Temple of deliverance




John Howard (hands)




Corn fields




Family wall (garage museum)




East side houses




Angel Kiara Hooks




Odd Fellows cemetery (field)




Old plantation barn (first)




Watermelons (70th birthday backyard party)




Hotel Cherry (file of life)




Snake tale




Lewis Neil




Sundial (I stand among the flowers and dark days do not exist)




Hominy swamp





Chilluns’ Croon
Artist book, edition of 35 
Printed for Verzasca Foto Festival 2022


8.5x11”, 64 pages, Linen Natural soft cover, 24 four-color B&W and color plates on uncoated paper, open spine, hand-bound by the artist, 4x4.5” archival pigment print on Hahnemuhle Natural Line Bamboo paper situated into photo corners on front cover, insert pages risograph on recycled uncoated paper. 






Chilluns' Croon
Gallery tabloid, edition of 30
Printed for OD Gallery PHoto Prize 2022
London, UK


11x15", recycled newsprint, edition of 30, signed and numbered